In my work, I print cyanotypes of abstract images that I paint on glass. Exposing the painted image onto fabric introduces new layers of both control and chaos to the image-making process. The resulting works are temporal impressions of the reaction of light, wet fabric, movement, and the original painting. By filtering my image through layers of natural variables, I aim to rid the image of evidence of application, to transcend my own initial intention and vision, and create photographs of my subconscious to which the viewer can apply their own understanding.